Selected Bibliography

Selected Bibliography

Allwood, John. The Great Exhibitions. London: Studio Vista, 1977.
Atkins, Robert. Art Spoke. A Guide to Modern Ideas, Movements and Buzzwords. 1848- 1944. New York: Abbeville Press, 1993.
Badger, Reid. The Great American Fair. The World's Columbian Exposition and American Culture. Chicago: Nelson Hall, 1979.
Benedict, Burton. The Anthropology of World's Fairs. San Francisco's Panama Pacific International Exposition of 1915. Berkeley: Scholar Press, 1983.
Bland, Sidney R. Preserving Charleston's Past, Shaping Its Future. The Life and Times of Susan Pringle Frost. Westport, Conn.: Greenwood Press, 1994.
The Book of the Fairs. Materials About World's Fairs, 1834-1916 in the Smithsonian Institution Libraries. Chicago: American Library Association, 1992.
Cordato, Mary. Representing the Expansion of Woman's Sphere: Women's Work and Culture at the World's Fairs of 1876, 1893 and 1904. Diss. New York University, 1989. Ann Arbor: UMI, 1989.
Davidson, Abraham A. The Eccentrics And Other American Visionary Painters. New York: E.P. Dutton, 1978.
Doezema, Marianne. American Realism and the Industrial Age. Cleveland: Cleveland Museum of Art Press, 1980.
Findling, John E., ed. Historical Dictionary of World's Fairs and Expositions, 1851-1988. Westport, CT: Greenwood Press, 1990.
Garrett, Wendell D., Paul F. Norton, Alan Gowans and Joseph T. Butler. The Arts In America. The Nineteenth Century. New York: Scribners, 1969.
Gerdts, William H. "American Tonalism: An Artistic Overview." Tonalism. An American Experience. New York: Grand Central Art Galleries Art Education Association, 1982.
---.Art Across America. Two Centuries of Regional Painting. 1710-1920. Vol. II. New York: Abbeville Press, 1990.
Greenhalgh, Paul. Ephemeral Vistas. The Expositions Universelles, Great Exhibitions and World's Fairs, 1851-1939. Manchester, England: Manchester University Press, 1988.
Hills, Patricia. Turn-of-the-Century America. New York: Whitney Museum of American Art, 1977.
Holt, Elizabeth Gilmore. The Art of All Nations: The Emerging Role of Exhibitions and Critics. Garden City, NY: Anchor Books, 1981.
Keyes, Donald D. Impressionism and the South. Greenville, SC: Greenville County Museum of Art, 1988.
McCarthy, Kathleen D. Women's Culture. American Philanthropy and Art, 1830-1930. Chicago: University of Chicago Press, 1991.
Morgan, H. Wayne. New Muses. Art in American Culture 1865-1920. Norman, OK: University of Oklahoma Press, 1978.
Pearlman, Bernard B. The Immortal Eight. American Painting From Eakins to the Armory Show 1870-1913. New York: Exposition Press, 1962.
Pease, Jane H. And William H. Choice and Constraint in Antebellum Charleston and Boston. Chapel Hill, N.C.: University of North Carolina Press, 1990.
Petteys, Chris. Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900. Boston: G.K. Hall, 1985.
Rutledge, Anna Wells. Artists In The Life of Charleston. Columbia, S.C.: USC Press, 1980.
Rydell, Robert. All The World's A Fair. Visions of Empire at American International Expositions, 1876-1916. Chicago: University of Chicago Press, 1984.
Rydell, Robert W. And Carolyn Kinder Carr. Revisiting The White City. American Art At The 1893 World's Fair. Washington, D.C.: Smithsonian Institution, 1993.
Saunders, Boyd and Ann McAden. Alfred Hutty and the Charleston Renaissance. Orangeburg, S.C.: Sandlapper Publishing Company, 1990.
Severens, Martha R. Alice Ravenel Huger Smith: An Artist, A Place and A Time. Charleston, S.C.: Carolina Art Association, 1993.
Sweet, Diana Dimodica. "American Tonalism. An Explanation of Its Ideas Through the Work and Literature of Four Major Artists." Tonalism. An American Experience. New York: Grand Central Galleries Art Education Association, 1982.
Weinberg, H. Barbara, Doreen Bolger and David Park Curry. American Impressionism And Realism. The Painting of Modern Life, 1885-1915. New York: Metropolitan Museum of Art, 1994.

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